Phantom of the opera character analysis. The Phantom of the Opera: Summary, Characters & Analysis 2018-12-25

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Characterization

phantom of the opera character analysis

She is loyal to Erik and even displays fondness for him, as he leaves her gifts and promises to help her daughter succeed if Madame Giry obeys him. His inability to control his feelings leads to much calamity for both him and others. Christine tells him she has been tutored by the Angel of Music, whom her father used to tell them about. When he investigates the room the man who had been there is gone. The audience feels for each situation: they are swooned by the man pronouncing his love; they are angry at the man who killed the actor's father; and they feel pity for the man who is forced to kill his best friend.

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The Phantom of the Opera Study Guide

phantom of the opera character analysis

CarlottaA spoiled prima donna, the lead soprano of the Paris opera house and Christine's rival. Gaston Leroux's book 'The Phantom of the Opera' is a story about the narrator's research surrounding the legend of the phantom. The next night, he kidnaps Christine again and demands that she marry him. The opera ghost sends another letter to the managers threatening to curse them if they do not capitulate to his demands. He was only able to escape thanks to the help of a young dancer, who allowed him to make his home in the basement of the opera house. When they meet years later, after Raoul watches Christine's performance at the Opera, they fall in love, get engaged, and make plans to elope.

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The Phantom of the Opera

phantom of the opera character analysis

Even though she chooses to stay with him, out of pity and of threat, he decides that she would be happier with Raoul than with him. Erik tries to drown Raoul, but Christine pleads with him. By chapter ten, an emotional conflict ensues between Christine and Raoul; she informs him that she cannot see him anymore. He says that Christine and Raoul eloped and moved to Scandinavia and reminds the reader that a skeleton was found under the opera house that belonged to the opera ghost. It was developed by Erik Erikson in the nineteen hundreds. And then he goes and hides in her closet.

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The Phantom of the Opera Characters

phantom of the opera character analysis

Eventually, he returned to Paris and successfully bided on a contract to help build the Paris Opera. At a gala performance for the retirement of the opera house's two managers, a young little-known Swedish soprano, , is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. She is a typical prima donna. As the Phantom and Raoul both vie for Christine, she sadly asks the Phantom what life he has been forced to live. Raoul reaches the lair and attempts to persuade the Phantom to spare Christine and begs him for compassion. When Raoul leaves to fetch his hat, Christine hears the jealous Phantom's voice and entreats him to reveal himself. Another glaring omission that she sees in the book is that the Phantom is left unexplained.

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The Phantom of the Opera: Summary, Characters & Analysis

phantom of the opera character analysis

Moreover, the views expressed here do not necessarily represent the views of Inquiries Journal or Student Pulse, its owners, staff, contributors, or affiliates. He falls in love with Christine and begins to tutor her, telling her that he is the Angel of Music of whom her father had spoken. Raoul hurries Christine out of the lair, but she returns alone to give the Phantom back his ring. He also tells The Persian to report that he has died as he feels that he will die soon. It was originally published in 1911 and has been compared to Beauty and the Beast. On the other hand, the writer may choose to introduce characters for certain specific purposes, for instance to reveal the personality or habits of a main characters.

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Phantom of the Opera (Musical) Plot & Characters

phantom of the opera character analysis

She knows Erik and is in good terms with him. He was unable to live a normal life because of his disfigurement and had to live underground to be hidden away from the crowd. On 26 January 2013, the production celebrated its 25th anniversary with its 10,400th performance. When Erik is alone with Christine, he lifts his mask to kiss her on her forehead and is given a kiss back. His contribution to French detective and mystery stories is still revered in the country today.

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Flashcards

phantom of the opera character analysis

Finally, she tells the Phantom that he is not alone and kisses him, showing him compassion for the first time in his life. Poligny The old managers of the Opera House. The man revealed that he was not an Angel, but Erik. The organizer of the theater production is Philip J. The highly Freudian approach described. The secondary actress performs the role twice a week on Broadway, Thursday evening and Saturday matinée. The World Tour had their sixth season at the Culture Plaza Theatre at Shanghai Culture Square from 3 December 2013 to 26 January 2014.

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Flashcards

phantom of the opera character analysis

As Christine grows ever more successful, and a handsome young man from her past begins to successfully court her, the Phantom descends into a jealous rage and terrorizes the opera company with increasingly dangerous threats. Leroux goes into the perspective of other characters for several chapters, during which the reader learns that Mme. Chicago 16th Page, Jeremy S. However, Erik, who also loves Christine, grows jealous of Raoul; conflict arises as the two men compete for her, despite Erik's feelings being unrequited. In the epilog, Leroux claims that the story is true and that Erik did exist. It was first published as a serialization in from 23 September 1909, to 8 January 1910. The musical performance symbolizes the deep expressions of the characters based on their life experiences.


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Characterization

phantom of the opera character analysis

Characters Analysis Raoul de Chagny — the hero of the story. One day, Christine told the Angel about Raoul, and the voice went away. In Phantom 1990 , Susan Kay elaborates on the early childhood of Erik. The première of Il Muto initially goes well, until the voice of the Phantom suddenly cuts through the performance, enraged that Box 5 was not kept empty for him as he had directed. Christine is shocked to hear that he was listening in and storms away. As children, we idolize the relationship of our parents. He was aiming for a romantic piece, and suggested 's book as a basis.

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