There's considerable irony in the fact that Orsino, who, as not only a man but a nobleman, is not supposed to be controlled by his emotions, spends almost the entire scene talking about how sad he is and how hard his life is because Olivia doesn't return his feelings. This history of festive ritual and Carnivalesque reversal, based on the ancient Roman festival of Saturnalia at the same time of year characterized by drunken revelry and inversion of the social order; masters became slaves for a day, and vice versa , is the cultural origin of the play's gender confusion-driven plot. Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. We quickly discover that he drinks a great deal, keeps late hours and is generally rowdy by nature. Orsino notices that Cesario Viola is in love. Finally, someone remembers Malvolio and lets him out of the dark room. But characteristics of language such as imagery, metaphors, vocabulary and syntax used by Malvolio contrast for example with those used by the Clown.
The duke thoroughly delights in giving himself up to the exquisite delights of his own passions, but actually he does little to try to possess the object of his affections. There are many points involving love, friendship, conflicts and confusion. One must imagine the opening of the play with musicians entering and playing lovely music of a languid and melancholy nature to match the mood and personality of Duke Orsino's mood. Individually, these scenes each serve a different aspect, which contributes to an effective opening. First, he asks his attendants to serenade him with music.
At the end of the comedy, the duke, significantly, will shift his love from the Lady Olivia to Viola within a moment; thus we should not be disturbed by this quick change. Valentine reports that Olivia's brother has recently died shortly after her old passed away , so Olivia's decided to lock herself up at home while she mourns for the next seven years. Sir Andrew also happens to be seeking the hand of Olivia. When Olivia learns that Sebastian is her husband and not Cesario, she is still happy despite the mix up. Malvolio swears revenge on his tormentors and stalks off, but Orsino sends Fabian to placate him. Viola who is disguised as Cesario falls in love with Duke Orsino, who in turn is in love with the Countess Olivia.
Maria is totally fed up with Malvolio, so she hatches an evil genius plan to punish Malvolio for being so judgmental. Olivia is pleased, but Olivia's uptight steward, Malvolio is not, regarding Feste as old and lacking in wit. Sir Andrew decides to have Sebastian punished by the law of Illyria despite the fact that he started the fight. By using the metaphor of 'the whole pack of you' an image is immediately created of a group surrounding him. A close critical analysis of Twelfth Night can reveal how Shakespeare manipulates the form, structure, and language to contribute to the meaning of his plays. The letter demands that Malvolio appear in yellow stockings, cross-gartered, and smiling to show his love for Olivia.
Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. In private, Lady Olivia admits to Cesario that she used the ring she sent after him to lure him back to her. Viola doesn't quite know what to do next. Viola has been shipwrecked in a violent storm off the coast of Illyria; in the process she has lost her twin brother, Sebastian. She has sworn to have nothing to do with men for seven years as she plans to spend that time mourning the death of her brother.
The production featured as Viola and Sebastian, as Malvolio, as Sir Toby Belch and as an unusually prominent Feste. Scene 2: lands in Illyria, after a terrible shipwreck in which she was separated from her twin brother,. Sebastian is happy to oblige. Sir Andrew takes this in a good-natured way, giving her his hand to shake. Olivia's trusty lady in waiting, Maria, gives Toby and Andrew a piece of her mind — they ought to be ashamed of themselves, carousing around at all hours before stumbling home drunk and noisy when Olivia is trying to focus on her love for her dead brother. Maria, Lady Olivia's maid makes this clear to us in her unsuccessful attempts to quieten Sir Toby down.
However, the sea-captain Antonio passes by and mistakes Cesario for Sebastian, and intervenes to defend his friend. This is what many literary works attempt to convey, yet few stand prevalent. He alludes to only wanting her because she is what is seen as the most desirable woman around his land. She has forsworn men's company for seven years while she mourns the death of her brother and rebuffs all his advances. They both shirk the fight.
When he realizes that Olivia has already been married to Sebastian, he quickly accepts Viola to save face. The language of Scene 5 is less laden with literary elements than the language of the previous scenes, because of the temperaments of Olivia and the others involved, and also because of Olivia's focus on getting the plain truth out of people. Shakespeare also uses the music and poetry in Twelfth Night to foreshadow what is going to happen for the rest of the performance and complexion, he shall find himself most feelingly personated. In 1957, another adaptation of the play was presented by on U. Development - building up the dramatic tension and moving the conflict established to its climax. The play incorporates some of the very same devices that are used in modern comedies today, such as topsy-turvy… 1780 Words 8 Pages Shakespeare's Twelfth Night A study of William Shakespeare's Twelfth Night, showing how Shakespeare's choice of form, structure and language shape meaning Wit, and't be thy will, put me into good fooling! Malvolio is locked up in a dark cell as a madman.
A bemused Sebastian agrees to marry her. They convince Malvolio that Olivia is secretly in love with him by planting a love letter, written by Maria in Olivia's handwriting. An old man behaving like a teenage girl when he is rejected does not work in his case to win the love of Olivia. Those wits that think they have thee do very oft prove fools; and I that am sure I lack thee may pass for a wise man. Meanwhile, on a sea coast near Illyria, Viola's twin brother Sebastian turns out he's alive after all — hooray! To make matters more complicated, Olivia continues to reject Orsino but is attracted to Cesario.